List of top Questions asked in CUET (PG)- 2026

Match LIST-I with LIST-II:

LIST-I		LIST-II
A. Devi Prasad Roy Choudhury	IV.	Jaipur
B. Shailendranath Dey	I.	Allahabad
C. Kshitindranath Majumdar	III.	Madras
D. Mukul Dey	II.	Calcutta

Match LIST-I with LIST-II:

LIST-I		LIST-II
A. Princes of the House of Timur	I.	1618-1622
B. Tutinama - The Girl and Parrot	IV.	1545-1550
C. Spies of Hamza Attack the City of Kaymar	III.	1580-1585
D. Jahangir's Dream	II.	1567-1582

Match LIST-I with LIST-II:

LIST-I		LIST-II
A. Pallavas	III.	Tamil Nadu
B. Vakatakas	I.	Maharashtra
C. Maitrakas of Valabhi	IV.	Gujarat
D. Chalukyas	II.	Karnataka

Match LIST-I with LIST-II:

LIST-I		LIST-II
A. Bull capital from Rampurva	III.	Rashtrapati Bhawan, Delhi
B. Lion capital from Sarnath	I.	Archaeological Museum, Sarnath
C. Yaksa Supavasa, Bharhut Stupa	IV.	Indian Museum, Calcutta
D. Vrsabhavahana from Tiruvengadu	II.	Art Gallery, Tanjavur

Match LIST-I with LIST-II:

LIST-I		LIST-II
A. Temptation of Buddha by Mara, The Lord of Death	IV.	Cave no 1
B. Chaddanta Jataka	II.	Cave no 2
C. Palace scene	III.	Cave no 3
D. A monk kneeling before a colossal sculptured figure of the standing Buddha	I.	Cave no 17

Match LIST-I with LIST-II:

LIST-I		LIST-II
A. Knobbed pottery	I.	Served as a heater with live-coals
B. Perforated pottery	II.	A couchant ram hollow on back
C. Incised pottery	IV.	Marks all like pictographic signs
D. Animal shaped pottery	III.	Associated with mother cult

Match LIST-I with LIST-II:

LIST-I		LIST-II
A. Torso of Male Dancing Figure from Harappa	IV.	Grey Limestone
B. Dancing Girl from Mohenjo-daro	II.	Bronze
C. Mother Goddess Figurine from Mohenjo-daro	I.	Terracotta
D. Bust of Priest-King from Mohenjo-daro	III.	Steatite

Match LIST-I with LIST-II:

LIST-I		LIST-II
A. Emil Nolde	II.	Still Life with Masks (1911)
B. Vassily Kandinsky	I.	Several Circles (1926)
C. Franz Marc	IV.	The Large Blue Horses (1911)
D. Käthe Kollwitz	III.	Whetting the Scythe (1904)

Match LIST-I with LIST-II:

LIST-I		LIST-II
A. Boating on the Seine	III.	Pierre-Auguste Renoir
B. Jockeys before the Race	I.	Edgar Degas
C. Water Lilies	IV.	Claude Monet
D. Luncheon on the Grass	II.	Edouard Manet

Match LIST-I with LIST-II:

LIST-I		LIST-II
A. Tommaso Masaccio	II.	The Trinity
B. Fra Angelico	IV.	The Annunciation
C. Fra Filippo Lippi	I.	Virgin and Child
D. Lorenzo Ghiberti	III.	The Sacrifice of Isaac

Match LIST-I with LIST-II (Egyptian Gods):

LIST-I (Egyptian Gods)		LIST-II
A. Amon	IV.	Great God of Thebes
B. Hapy	III.	God of the Nile in flood
C. Maat	II.	Goddess of truth
D. Thoth	I.	God of writing and wisdom

Which Article of the Indian Constitution is known as the "Heart and Soul" of the Constitution?

Match the opening lines of the creation narrative from the Aitareya Upanishad (1.1) in List I with their correct section (Kaṇḍikā) location in List II:

List I (Mantras)		List II (Section)
A. \(\text{om ātmā vā idameka evāgra...}\) (Om, in the beginning this was the Self alone)	IV.	Prathamā Kaṇḍikā (First Section)
B. \(\text{sa imāllokān-asṛjata...}\) (He created these worlds)	II.	Dvitīyā Kaṇḍikā (Second Section)
C. \(\text{sa īkṣata me nu lokā lokapālānnu sṛjā iti...}\) (He thought, here are the worlds; let me create guardians)	III.	Tṛtīyā Kaṇḍikā (Third Section)
D. \(\text{tam-abhyatapattasyābhitaptasya...}\) (He brooded over him, and from him brooded over...)	I.	Caturthī Kaṇḍikā (Fourth Section)

Match List I with List II:

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Match List I with List II according to the Rasa and its corresponding Sthayi Bhava:

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Match List I with List II in the context of the four limbs of Upama Alamkara:

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Match List I with List II according to the definitions and examples of Poetic Defects (Doshas) from Kavyaprakasha:

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Match List I with List II regarding the counts in Sanskrit Dramaturgy:

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Match List I with List II regarding Mahakavyas and their Canto (Sarga) counts:

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Match List I with List II regarding Plays and their Authors:

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Match List I with List II regarding Heroines and their Plays:

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Match List I with List II regarding Authors and their Works:

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Match List I with List II regarding Works and their Authors:

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Match List I with List II regarding Ganas in Sanskrit Prosody:

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Match List I (Meters) with List II (Example Verses) based on their metrical structure:

List I (Meter)		List II (Example Verse)
A. Vasantatilaka	I.	\(\text{Govindaṃ praṇamattamāṅga ! rasane ! taṃ ghoṣayā'harniśam}\)
B. Drutavilambitam	II.	\(\text{Smitaṃ bibhraddevo jagadavatu govardhanadharaḥ}\)
C. Shikharini	III.	\(\text{Harimahaṃ hṛdayena sadā vahe}\)
D. Shardulavikriditam	IV.	\(\text{Līlāparaṃ pikakulaṃ kalamatra rauti}\)