List of top Sahitya Questions asked in CUET (PG)

Match List I with List II: 

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Match List I with List II according to the Rasa and its corresponding Sthayi Bhava: 

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Match List I with List II in the context of the four limbs of Upama Alamkara: 

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Match List I with List II according to the definitions and examples of Poetic Defects (Doshas) from Kavyaprakasha: 

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Match List I with List II regarding the counts in Sanskrit Dramaturgy: 

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Match List I with List II regarding Mahakavyas and their Canto (Sarga) counts: 

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Match List I with List II regarding Plays and their Authors: 

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Match List I with List II regarding Heroines and their Plays: 

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Match List I with List II regarding Authors and their Works: 

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Match List I with List II regarding Works and their Authors: 

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Match List I with List II regarding Ganas in Sanskrit Prosody: 

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Match List I (Meters) with List II (Example Verses) based on their metrical structure:

List I (Meter) List II (Example Verse)
A. VasantatilakaI.\(\text{Govindaṃ praṇamattamāṅga ! rasane ! taṃ ghoṣayā'harniśam}\)
B. DrutavilambitamII.\(\text{Smitaṃ bibhraddevo jagadavatu govardhanadharaḥ}\)
C. ShikhariniIII.\(\text{Harimahaṃ hṛdayena sadā vahe}\)
D. ShardulavikriditamIV.\(\text{Līlāparaṃ pikakulaṃ kalamatra rauti}\)
Arrange the following 'Kandas' (Books) of the Valmiki Ramayana in their correct narrative order:
A. Balakanda
B. Ayodhyakanda
C. Kishkindhakanda
D. Aranyakanda
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Arrange the following kings of the Raghu dynasty in the correct order they are described in the 'Raghuvamsha' of Kalidasa:
A. Dasharatha
B. Raghu
C. Aja
D. Rama
E. Dilipa
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Arrange the following meters in ascending order according to the number of syllables (Aksharas) per quarter (Pada):
A. Drutavilambitam
B. Shikharini
C. Upajati
D. Shardulavikriditam
E. Vasantatilaka
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Arrange the following 'Gadyakavya' (Prose) authors in their correct chronological order:
A. Dandin
B. Subandhu
C. Banabhattah
D. Kshamarava
E. Ambikadattavyasah
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Arrange the following 'Rupakas' (Dramatic forms) in the standard order of the 'Dasharupaka' (starting after Nataka, Prakarana, Bhana, Prahasana):
A. Samavakara
B. Vyayoga
C. Vithi
D. Ihamriga
E. Dima
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Arrange the 'Sandhis' (Junctures) of a drama in the correct chronological order of their occurrence in a play:
A. Mukhasandhi
B. Vimarshasandhi
C. Pratimukhasandhi
D. Garbhasandhi
E. Upasamhriti (Nirvahanasandhi)
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Arrange the following 'Doshas' (Poetic Defects) in the correct order as they appear in the standard classification (from word to sentiment):
A. Padadoshah (Defect in word)
B. Rasadoshah (Defect in sentiment)
C. Padamshadoshah (Defect in part of a word)
D. Arthadoshah (Defect in meaning)
E. Vakyadoshah (Defect in sentence)
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Arrange the five types of 'Prastavana' (Prologue) in the order they are traditionally listed in dramaturgy:
A. Kathodghatah
B. Prayogatishayah
C. Udghatyakah
D. Pravartakam
E. Avalagitam
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Identify the correct order of the types of 'Atishayokti' (Hyperbole) as traditionally listed:
A. Abhede bhedah (Difference in identity)
B. Sambandhe asambandhah (Non-connection in connection)
C. Asambandhe sambandhah (Connection in non-connection)
D. Karyakarana-paurvaparya-vyatikramah (Reversal of cause-effect order)
E. Bhede abhedah (Identity in difference)
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Identify the 'Rasas' (aesthetic sentiments) from the following list:
A. Shringara
B. Hasya
C. Svarabhangah
D. Vira
E. Bhayanaka
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What is the correct ascending order of the factors for 'Sanketagraha' (grasping the convention) according to the standard verse?
A. Vyakarana (Grammar)
B. Upamana (Comparison)
C. Kosha (Dictionary/Lexicon)
D. Aptavakya (Testimony of a trustworthy person)
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Arrange the following poets in ascending chronological order:
A. Valmiki
B. Magha
C. Kalidasa
D. Bharavi
E. Shriharsha
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Identify the works of Bhartrihari from the following:
A. Suryashatakam
B. Nitishatakam
C. Shringaráshatakam
D. Vairagyashatakam
E. Daridryashatakam
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