Step 1: Understanding the Concept:
In poetics, 'Dosha' is that which detracts from the beauty of poetry. Acharya Mammata organizes these defects hierarchically in the 7th chapter of 'Kavyaprakasha'. The classification moves from the smallest unit of language (the word) to the most comprehensive unit (the sentiment). Understanding this order is essential for a systematic study of literary criticism.
Step 3: Detailed Explanation:
The standard order of treatment for Doshas in Sahitya texts is as follows:
1. A. Padadoshah: Defects relating to a single word (e.g., harshness, ungrammaticality, or vulgarity in a word).
2. C. Padamshadoshah: Defects relating to a component of a word (like a specific suffix or root). This is considered a sub-unit of the word-level defect.
3. E. Vakyadoshah: Defects relating to the entire sentence (e.g., poor word order or broken rhythm). This is a larger linguistic unit than the single word.
4. D. Arthadoshah: Defects relating to the meaning conveyed (e.g., logical contradiction or redundancy). Once the linguistic structure is sound, we analyze the semantic level.
5. B. Rasadoshah: Defects relating directly to the aesthetic sentiment (e.g., describing a romantic scene using a heroic meter or naming the Rasa directly). This is the highest and most critical level of defect, as it harms the 'soul' of poetry.
This sequence (Pad $\rightarrow$ Padamsha $\rightarrow$ Vakya $\rightarrow$ Artha $\rightarrow$ Rasa) follows the logical construction of poetry from sound to sense to soul.
Step 4: Final Answer:
The correct hierarchical order is A, C, E, D, B. Thus, Option (B) is the correct answer.