List of top Carnatic Music Questions asked in CUET (PG)

Make the correct sequence of the following Panchalingasthala Kritis: A. Arunachala, B. Ananda Natana, C. Chintayamam, D. Sri Kalahastisa, E. Jambupate.
Make the correct sequence of the following composers according to the chronological order: A. Gopalakrishna Bharati, B. Narayana Teertha, C. Jayadeva, D. Mysore Sadasiva Rao, E. Annamacharya.
Make the correct sequence of the following Dhaivata - Nishada combination as appears in a Chakra in 72 Mela scheme: A. Suddha Dhaivata Kaisiki Nishada, B. Chaturshruti Dhaivata Kakali Nishada, C. Suddha Dhaivata - Suddha Nishada, D. Suddha Dhaivata Kakali Nishada, E. Chaturshruti Dhaivata Kaisiki Nishada.
Make the correct sequence of the following raga according to its order in Navaratri Kritis of Swati Tirunal: A. Bhairavi, B. Kalyani, C. Todi, D. Saveri, E. Sankarabharanam.
Make the correct sequence of the following Lakshanakara according to the chronological order: A. Venkatamakhi, B. Vidyaranya, C. Matanga, D. Bharata, E. Subbharama Dikshitar.
Make the correct sequence of the following raga classification according to its period from ancient to modern: A. Raganga Kriyanga Upanga - Bhashanga, B. Janaka Janya - Varja - Vakra, C. Suddha Chayalaga Sankeerna, D. Grama Moorchna Jati, E. Stree - Purusha - Napunsaka.
Make the correct sequence of the following as it appears in musical rendering of Pallavi exposition: A. Tanam, B. Korvai, C. Ragam, D. Niraval, E. Kalpanaswara.
Make the correct sequence of the following musical forms as it appears in a Musical Performance: A. Tillana, B. Padam, C. Kriti, D. Varnam, E. Mangalam.
Make the correct sequence of the following mela according to its number in 72 Mela scheme: A. Shankarabharanam, B. Pantuvarali, C. Todi, D. Kalyani, E. Kharaharpriya.
Make the correct sequence of the following Talas according to increasing number of its Aksharakala: A. Mishra jati Triputa, B. Tishra jati Mathya, C. Sankirna jati Eka, D. Chaturasra jati Ata, E. Khanda jati Dhruva.
Assertion (A): Tyagaraja never composed a musical piece in praising a human being. Reason (R): Tyagaraja believed that music is divine it can't be used for praising mere human being and make money with that.
Make the correct sequence of the following Chakra according to its position in 72 Mela scheme: A. Vasu, B. Rudra, C. Dishi, D. Rishi, E. Brahma.
Assertion (A): Many of the musical Texts have been followed Natyashastra in the form of commentary. Reason (R): The commentators didn't had a creative ability in musical concept.
Assertion (A): Hindustani music is attractive because it gives more importance to aesthetics. Reason (R): Karnatak music never gives importance to aesthetics.
Assertion (A): The word meaning of "Mridangam" is which is made of Mud. Reason (R): In ancient period there may not be technologies to prepare a Mridangam with metal or wood.
Assertion (A): Ragalapana is considered as a Musical Form. Reason (R): Ragalapana belongs to the sphere of improvised music.
Assertion (A): Ancient Tamil Tradition had a much developed musical system. Reason (R): During the centuries that preceded Sangam Age, there were many works on the performing art of music and dance which discussed the advance theory of music and Dance.
Assertion (A): Ragas have been classified in different ways in the history of Indian music. Reason (R): Musicologists were getting entertainment in classifying the raga.
Assertion (A): In a democratic society, the patronage of music is the responsibility of the people themselves. Reason (R): In the modern period Government also give the patronage with the help of people's organizations.
Who is the composer of Ramanataka Keertana:
Who is the composer of Skanda Purana Keertanaikal:
Assertion (A): The prominent swara of a raga is called Vadiswara. Reason (R): Vadi swara can be compared to the king of a country.
The composer who took "Aapat Sanyasa":
Mudra of Kshetrajna:
Composer of celebrated Varnam Viribhoni in Bhairavi is: