List of top Questions asked in CUET (PG)

Arrange the chapters of "Sangeet Ratnakar" in ascending order :
A. Vādyādhyāy
B. Prabandhayay
C. Prakirnadhyay
D. Taladhyay
E. Nartanadhyay
Choose the correct answer from the options given below :

Arrange the percussion instruments in ascending order according to their origin:
A. Pakhawaj
B. Bhumidundubhi
C. Tripushkar
D. Dundubhi
E. Tabla
Choose the correct answer from the options given below:

Select the following bandishes in correct order according to the solo playing system?
A. Peshkar
B. Theka
C. Tukda
D. Kayda
E. Rela
Choose the correct answer from the options given below :

Given below are two statements: one is labelled as Assertion (A) and the other is labelled as Reason (R).
Assertion (A): Chachput and Chachtaput taal are mentioned in the Bharat Natya Shashtra.
Reason (R): Chachput and Chachtaput are the taal of Tristra and Chatustra jati.
In the light of the above statements, choose the most appropriate answer from the options given below:

Given below are two statements: one is labelled as Assertion (A) and the other is labelled as Reason (R).
Assertion (A): Under the Saptak, there are seven Shuddha and five Vikrut Swaras.
Reason (R): There are total twenty two Swaras in a Saptak.
In the light of the above statements, choose the most appropriate answer from the options given below:

Given below are two statements: one is labelled as Assertion (A) and the other is labelled as Reason (R).
Assertion (A): Vadi, Anuvadi and Vivadi these are the types of Swaras.
Reason (R): Vadi Swara is considered most important in the Raga.
In the light of the above statements, choose the most appropriate answer from the options given below:

Given below are two statements: one is labelled as Assertion (A) and the other is labelled as Reason (R).
Assertion (A): Natyashashtra is created by the Swatimuni.
Reason (R): Natyashashtra is also called Panchamveda.
In the light of the above statements, choose the most appropriate answer from the options given below:

Given below are two statements: one is labelled as Assertion (A) and the other is labelled as Reason (R).
Assertion (A): Kayda, composition mainly comes under the Band Baaj.
Reason (R): Kayda is mainly used in the Delhi and Ajrada Gharanas.
In the light of the above statements, choose the most appropriate answer from the options given below:

Given below are two statements: one is labelled as Assertion (A) and the other is labelled as Reason (R).
Assertion (A): Tukda is a composition of unexpandable category.
Reason (R): Tukda is expanded.
In the light of the above statements, choose the most appropriate answer from the options given below:

Given below are two statements: one is labelled as Assertion (A) and the other is labelled as Reason (R).
Assertion (A): Actually, Paran is a special playing repertoire of the Pakhawaj.
Reason (R): The word Paran is considered to have originated from the word Parna.
In the light of the above statements, choose the most appropriate answer from the options given below:

Which of the following composition belongs to the Pakhawaj ?

Given below are two statements: one is labelled as Assertion (A) and the other is labelled as Reason (R).
Assertion (A): The origin of Tabla is considered from Tripushkar.
Reason (R): Tripushkar instrument is divided into two parts.
In the light of the above statements, choose the most appropriate answer from the options given below:

What is the sequence of the Kayda in the solo Tabla playing?

Which Naad is Swayambhoo and Brahmandiya ?

Which Swara is prominently used in a Raga ?

Which of the following is a percussion instrument?

Which type of flour (Atta) is used to produce the resonance in the banya of Pakhawaj?

Which of the following musical instruments is an ideophone instrument?

To play or recite the Chaugun of Rudra taal once in one aavartan of same taal, one have to start exactly after which matra to reach the sam.

One Palla of Tigun in Teentaal consists of how many matras ?

To play or recite Dugun and Chaugun of Aadachautaal once in one aavartan of same taal, one have to start exactly after which matra to reach the sam.

To play or recite the Tigun of Rupak once in one aavartan of same taal, one have to start exactly after which matra to reach the sam.

Which type of layakari will create when Ektaal is played in Kaharwa taal?

According to scholars, the origin of Tabla is considered from which of the following ancient instruments ?

1SSS2SSS3SSS4S SS5SSS6SSS7SSS Which type of layakari is denoted?