Question

What is the sequence of the Kayda in the solo Tabla playing?

• A. After the Rēlā
• B. After the Peshkar
• C. After the Tukda
• D. After the Gat

Hint:

Remember the classic solo progression sequence: Peshkar \(\rightarrow\) Kayda \(\rightarrow\) Rela \(\rightarrow\) Gat/Tukda. This sequence ensures the performance transitions smoothly from slow variations into rapid fixed compositions.

Answer 1

The Correct Option is B

Concept: A classical solo Tabla performance (*Tabla Vadan*) follows a strictly structured chronological sequence of compositions. This arrangement allows the performance to unfold systematically, starting with introductory movements and progressing to expansive themes and rapid finales.

Step 1: Review the standard sequence of a solo Tabla performance.
The traditional order of compositions in a solo performance is:
• Thēka: The basic rhythmic cycle establishing the tempo.
• Peshkar: An introductory presentation that eases into the rhythm using slow permutations.
• Kayda: A rule-bound thematic composition that is expanded using systematic variations (*Paltas*) and a concluding *Tihai*.
• Gat Tukda Paran: Pre-composed rhythmic structures showcasing fixed poetry, complex power steps, and calculations.
• Rēla: A rapid, fluid composition played at extreme speeds mimicking rolling sounds.

Step 2: Determine the position of the Kayda.
As shown in the performance structure, after completing the introductory Peshkar, the artist immediately transitions into the foundational Kayda. Therefore, the Kayda is played right *after the Peshkar*.