List of practice Questions

Describe the technique of tuning of the instrument which you have opted for.
Describe the salient features of time–theory of Ragas.
Describe the life sketch and contribution to music of Alauddin Khan.
Give a brief description of any two of the following with illustrations: Alap, Taan, Sut
Give a brief account of Sangeet Ratnakar.
Write short notes on any two of the following with examples: Gamak, Meend, Kan
Statement – I: Re-Pa swaras are not used in Raga Malkauns.
Statement – II: Inayat Khan was the disciple of Vilayat Khan.
Choose the correct option:
Statement – I: Bhairav is a pratahkaal (morning) sandhiprakash raga.
Statement – II: The singing time of Raga Malkauns is morning.
Choose the correct option:

Match List-I with List-II:

Choose the correct option:
 

Choose the correct statements:
I. Bhairav has andolan on komal rishabh & dhaivat.
II. The Jati of raga Bhairav is audav-shadav.
III. Chaugun of Jhaptala will come in 2.5 beats.
IV. All the shudha swaras are used in Malkauns.
Choose the correct option:
Choose the correct statements:
I. Ustad Vilayat Khan was associated with the sitar having 17 frets.
II. Maseetkhani Gat starts from 12th beat in Teentala.
III. Jhaptala has ten matras.
IV. In Roopak tala khali comes on 1st beat.
Choose the correct option:
Which of the following is dependent on Varnas?
Alauddin Khan was an exponent of which instrument?
The total number of swaras mentioned in Sangeet Parijat are:
Write names of the types of Sanchari Bhava.
Explain the term Natya.
Explain the terms Vachika and Satvika.
Write a note on Shabdam.
Write a note on Pravesha Daru in Kuchipudi dance drama.
Write name of the language used in Kuchipudi dance music.
Write the definition of Nritya.
Write a note on the Sutradhara in Kuchipudi dance drama.
Write name of the composer of Krishna Leela Tarangini.
How many types of Aharya Abhinaya are there? Write the names.
Write the definition of Lokadharmi.