List of top Hindustani Music (Vocal-Instrumental) Questions asked in CUET (PG)

Match the LIST-I with LIST-II.

LIST-I (Name of the Raga)	LIST-II (Chalan)
A. Bageshri	I. \( n\ S\ g\ M\ P\ D\ P,\ g\ M\ R\ S \)
B. Jaunpuri	II. \( D\ P\ M\ P\ D\ N\ D\ P,\ G\ M\ R\ S \)
C. Bhairavi	III. \( G\ M\ D\ N\ D,\ M\ P\ D,\ G\ R\ S \)
D. Ramkali	IV. \( M\ P\ D\ P,\ M\ P\ D,\ M\ P,\ G\ R\ S \)

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Match the LIST-I with LIST-II.

LIST-I (Thaat)	LIST-II (Raga)
A. Kalyan	I. Puriya Dhanashri
B. Purvi	II. Malkauns
C. Khamaj	III. Goud Sarang
D. Bhairavi	IV. Jaijaiwanti

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Match the LIST-I with LIST-II.

LIST-I (Name of Artiste)	LIST-II (Name of Instruments)
A. Afaq Hussain	I. Sarod
B. Radhikamohan Maitra	II. Tabla
C. Debu Chaudhuri	III. Violin
D. Sisirkana Dhar Chaudhuri	IV. Sitar

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Match the LIST-I with LIST-II.

LIST-I (Prana of Taal)	LIST-II (Bheda of Prana)
A. Kriya	I. Strotogata
B. Yati	II. Chitra
C. Graha	III. Nishabda
D. Marga	IV. Anagata

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Match the LIST-I with LIST-II.

LIST-I (Gharana)	LIST-II (Musician)
A. Gwalior	I. Prabha Atre
B. Agra	II. Shankar Pandit
C. Delhi	III. Vilayat Hussain Khan
D. Kirana	IV. Bundu Khan

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Match the LIST-I with LIST-II.

LIST-I (Musician)	LIST-II (Pen Name / Other Name)
A. Bade Ghulam Ali Khan	I. Guruguha
B. S. N. Ratanjankar	II. Sabrang
C. Omkarnath Thakur	III. Sujan
D. Muthuswami Dikshitar	IV. Pranavrang

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Match the LIST-I with LIST-II.

LIST-I (Hindustani Raag)	LIST-II (Carnatic Raag)
A. Malkauns	I. Hindolam
B. Bhimpalasi	II. Abheri
C. Bihag	III. Bihag
D. Bhupali	IV. Mohanam

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Match the LIST-I with LIST-II.

LIST-I (Swaravali of Raag)	LIST-II (Raag)
A. \( R\ G\ R\ S,\ N\ S\ D\ N\ R \)	I. Hamir
B. \( P\ M\ G\ M\ R\ G,\ D\ M\ G\ R\ S \)	II. Bahar
C. \( S\ M\ M\ P,\ G\ M\ D\ N\ \dot{S} \)	III. Puriya Dhanashri
D. \( S\ R\ S,\ G\ M\ D \)	IV. Jaijaiwanti

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Match the LIST-I with LIST-II.

LIST-I (Murchchhna)	LIST-II (Starting Swara)
A. Shuddha Shadaja	I. Gandhar
B. Ashwakranta	II. Dhaivat
C. Uttarvata	III. Rishabha
D. Abhirudgata	IV. Pancham

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Match the LIST-I with LIST-II.

LIST-I (Hindustani Swar)	LIST-II (Western Swar)
A. Madhyam	I. Mediant
B. Rishabh	II. Dominant
C. Gandhar	III. Sub Dominant
D. Pancham	IV. Super Tonic

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Match the LIST-I with LIST-II.

LIST-I (Name of the Text)	LIST-II (Author)
A. Sadrag Chandrodaya	I. Shrinivas
B. Rag Tatva Vibodh	II. Somnath
C. Rag Vibodh	III. Pundarik Vitthal
D. Geet Govind	IV. Jaidev

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Match the LIST-I with LIST-II.

LIST-I (Name of Exponents)	LIST-II (Gharana)
A. Ali-a-Fattu	I. Kirana
B. Hassu-Haddu	II. Jaipur
C. Manji-Bhurji	III. Gwalior
D. Abdul Karim - Abdul Wahid	IV. Patiala

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Select the Raags of “Audav-Sampoorna” Jati in the following: \[ \text{A. Bihag} \] \[ \text{B. Multani} \] \[ \text{C. Shree} \] \[ \text{D. Chhayanat} \] \[ \text{E. Patdeep} \]

Select the Purab Anga Thumri artists in the following: \[ \text{A. M. S. Subbulakshmi} \] \[ \text{B. Rasoolan Bai} \] \[ \text{C. Siddheshwari Devi} \] \[ \text{D. Bade Ghulam Ali Khan} \] \[ \text{E. Girija Devi} \]

“Na” Bol is not used in the theka of which of the following taals? \[ \text{A. Jhumra} \] \[ \text{B. Ektaal} \] \[ \text{C. Jhaptaal} \] \[ \text{D. Tilwada} \] \[ \text{E. Dadra} \]

‘Prabandha' is a musical form of ancient time. It has: \[ \text{A. Four Dhatus} \] \[ \text{B. Ten Pranas} \] \[ \text{C. Six Angas} \] \[ \text{D. Five Jati} \] \[ \text{E. Ten Margina} \]

Raga Patdeep has the following characteristics: \[ \text{A. It belongs to Kafi thata} \] \[ \text{B. Its vadi P and samvadi S} \] \[ \text{C. Rendering time is early morning} \] \[ \text{D. The phrase } G\ M\ P\ N,\ D\ N\ S\ D\ P \text{ is important} \]

“Tirkit” Bol is used in the theka of which of the following taals? \[ \text{A. Aada Chartaal} \] \[ \text{B. Sooltaal} \] \[ \text{C. Teevra} \] \[ \text{D. Tilwada} \] \[ \text{E. Jhumra} \]

Identify the correct options which contain the correct vocabulary related to the instruments: \[ \text{A. Sitar-Sarika, Mizrab, Tarab} \] \[ \text{B. Violin-Gaja, Bela, Tailpiece} \] \[ \text{C. Tabla-Pudi, Gatta, Gajara} \] \[ \text{D. Santoor-Baddi, Syahi, Gaja} \] \[ \text{E. Guitar-Chanti, Gulu and Gaja} \]

Which of the following options are mentioned in the contents of Chaturdandi Prakashika? \[ \text{A. 72 Melakarta} \] \[ \text{B. Term Ra, Ri, Ru, Ga, Gi, Gu for Swaras} \] \[ \text{C. Establishment of Kakli Nishad on third Shruti} \] \[ \text{D. Mention of 33 Alankaras} \] \[ \text{E. Description of 122 Raags} \]

Indicate the Swara Sangatis used in the Raag “Darbari Kanhada” in the following: \[ \text{A. } Re\ Ga\ Re\ Sa \] \[ \text{B. } Ga\ Ma\ Re\ Sa \] \[ \text{C. } Ma\ Dha\ Ni\ Sa \] \[ \text{D. } Dha\ Ni\ Re\ Sa \] \[ \text{E. } Sa\ Dha\ Ni\ Pa \]

Chronologically arrange the following: \[ \text{A. Amir Khusro} \] \[ \text{B. Sadarang-Adarang} \] \[ \text{C. Tansen} \] \[ \text{D. Haddu-Hassu Khan} \] \[ \text{E. Jaydeva} \]

Arrange in correct order according to increasing number of Taar (Strings) in the instruments: \[ \text{A. Sitaar} \] \[ \text{B. Violin} \] \[ \text{C. Santoor} \] \[ \text{D. Ektaara} \]

Arrange the artists in order of Sitar, Guitar, Violin, Santoor, Tabla respectively: \[ \text{A. Bhajan Sopori} \] \[ \text{B. Brij Bhushan Kabra} \] \[ \text{C. V. G. Jog} \] \[ \text{D. Kishan Maharaj} \] \[ \text{E. Niladri Kumar} \]

Choose the correct options of staff notation system of the following: \[ \text{A. The sign of flat note } \sharp \] \[ \text{B. The sign of sharp note } \flat \] \[ \text{C. The sign of crotchet } \quarternote \] \[ \text{D. The sign of Semibreve } \bigcirc \] \[ \text{E. The sign of double sharp } \times \]

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