Read the following extract and answer the questions.
The make-up room had the look of a hair-cutting salon with lights at all angles around half a dozen large mirrors. They were all incandescent lights, so you can imagine the fiery misery of those subjected to make-up. The make-up department was first headed by a Bengali who became too big for the studio and left. He was succeeded by a Maharashtrian who was assisted by a Dharwar Kannadiga, an Andhra, a Madras Indian Christian, an Anglo-Burmese and the usual local Tamils. All this shows that there was a great deal of National Integration long before A.I.R. and Doordarshan began broadcasting programmes on national integration. This gang of nationally integrated make-up men could turn any decent-looking person into a hideous crimson hued monster with the help of truckloads of pancake and a number of other locally made potions and lotions. Those were the days of mainly indoor shooting, and only five percent of the film was shot outdoors. I suppose the sets and studio lights needed girls and boys to be made to look ugly in order to look presentable in the movie. A strict hierarchy was maintained in the make-up department.
(Poets and Pancakes)
Why did the make-up room have a look of a hair-cutting salon ?
What does ‘fiery misery of those subjected to make-up’ suggest ?
Complete the following suitably : The tone of the author in the phrase ‘hideous crimson hued monster’ is _________
Why was excessive make-up considered a cinematic necessity at Gemini Studios during that era ?
What does ‘became too big for a studio and left’ imply about the Bengali make-up artist ?
Complete the sentence with a suitable reason : The author refers to the presence of people from different regions in the make-up department to _________.