Question:
Identify the decorative anga of a Kriti.
Identify the decorative anga of a Kriti.
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Primary angas (Pallavi, Anupallavi, Charanam) make up the structural body of a Kriti. Decorative angas (Swarasahitya, Chittaswaram, Sangati, Solkattu Swara) are the jewels worn by the Kriti!
Updated On: Jun 16, 2026
- Pallavi
- Swarasahitya
- Charanam
- Anupallavi
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Verified By Collegedunia
The Correct Option is B
Solution and Explanation
Step 1: Concept
A Kriti is the most highly evolved and dominant compositional form in modern Carnatic music. Its structure is divided into primary functional components (angas) and optional aesthetic embellishments (decorative angas).
Step 2: Primary Angas
The essential structural parts of a standard Kriti are: 1. Pallavi (the first thematic section/chorus).
2. Anupallavi (the second section, usually covering higher octaves).
3. Charanam (the final, longest stanza combining melodic features of both).
These are structural necessities, not decorative additions.
Step 3: Decorative Angas
Decorative angas are optional, pre-composed ornaments added by composers to enhance the beauty of a composition. These include: - Swarasahitya: A passage of solfa syllables (swaras) with an exactly corresponding passage of lyrics (sahitya) of identical rhythmic duration, rendered at the end of the Anupallavi or Charanam.
- Chittaswaram: Pre-composed swara passages.
- Madhyamakala Sahitya: A fast-tempo lyrical line.
Step 4: Conclusion
Among the choices, Swarasahitya is the only decorative anga, matching option (B). Final Answer: (B)
A Kriti is the most highly evolved and dominant compositional form in modern Carnatic music. Its structure is divided into primary functional components (angas) and optional aesthetic embellishments (decorative angas).
Step 2: Primary Angas
The essential structural parts of a standard Kriti are: 1. Pallavi (the first thematic section/chorus).
2. Anupallavi (the second section, usually covering higher octaves).
3. Charanam (the final, longest stanza combining melodic features of both).
These are structural necessities, not decorative additions.
Step 3: Decorative Angas
Decorative angas are optional, pre-composed ornaments added by composers to enhance the beauty of a composition. These include: - Swarasahitya: A passage of solfa syllables (swaras) with an exactly corresponding passage of lyrics (sahitya) of identical rhythmic duration, rendered at the end of the Anupallavi or Charanam.
- Chittaswaram: Pre-composed swara passages.
- Madhyamakala Sahitya: A fast-tempo lyrical line.
Step 4: Conclusion
Among the choices, Swarasahitya is the only decorative anga, matching option (B). Final Answer: (B)
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