Concept:
Aśvaghoṣa
(c. 80 – 150 CE) was a philosopher, poet, and dramatist who is considered one of
the greatest Sanskrit authors before Kālidāsa. He was the spiritual counselor to
the Kushan Emperor Kaniṣka. His works are characterized by the "Kāvya" style,
used to propagate Buddhist teachings through sophisticated literature. To answer
this question, we must distinguish his authentic and traditionally attributed
works from the foundational epics of ancient India.
Step 1: Evaluating Aśvaghoṣa's major epic poems.
Aśvaghoṣa is most famous for two major Mahākāvyas (epic poems):
• Buddhacarita (Acts of the Buddha): This is his
most celebrated work, an epic poem that narrates the life of Gautama Buddha from
his birth to his enlightenment and the spread of his teachings. It is a
masterpiece of early Sanskrit Kāvya.
• Saundarananda (Handsome
Nanda): This epic poem tells the story of the conversion of Nanda, the
half-brother of the Buddha. It focuses on the struggle between worldly love and
spiritual liberation, ending with Nanda's ordination as a monk.
Since options (2) and (3) are his primary works, they are "creations of
Aśvaghoṣa."
Step 2: Analyzing 'Vajrasūcī'.
Vajrasūcī (The
Diamond Needle) is a short but powerful polemical treatise. It is a social
critique that challenges the caste system (Varṇa-vyavasthā) by citing
various Vedic and Brahmanical scriptures to prove that Brahminhood is based on
character and spiritual realization rather than birth. While some modern
scholars debate its authorship, it has been traditionally attributed to
Aśvaghoṣa for centuries in both Indian and Chinese traditions. Therefore, in
the context of standard Sanskrit literature exams, it is counted as his work.
Step 3: Identifying the 'Rāmāyaṇa'.
The Rāmāyaṇa
is one of the two major Sanskrit epics of ancient India (the Itihāsa).
It is universally attributed to the Ādi Kavi (First Poet) Vālmīki. The
Rāmāyaṇa predates Aśvaghoṣa by several centuries and serves as a foundational
text for the Kāvya style that Aśvaghoṣa later refined. Aśvaghoṣa himself was
deeply influenced by the Rāmāyaṇa, but he is certainly not its creator.
Step 4: Conclusion.
By elimination and historical
verification, we can conclude that while Vajrasūcī, Buddhacarita, and
Saundarananda are authentic or traditionally attributed works of Aśvaghoṣa, the
Rāmāyaṇa belongs to Vālmīki. Thus, option (4) is the correct answer to "Which
one is not a creation of Aśvaghoṣa."