The depth of tone in aquatint is controlled by the size of the rosin particles and the duration of acid exposure. Finer rosin dust results in smoother, lighter tones, while longer acid exposure deepens the tonal values.
| LIST I | LIST II | ||
|---|---|---|---|
| A | Krishna Reddy | I | Oleography |
| B | Sanat Kar | II | Serigraphy |
| C | Moti Zharotia | III | Viscosity |
| D | Raja Ravi Varma | IV | Wood intaglio |
| LIST I | LIST II | ||
|---|---|---|---|
| A | Pointillism | I | One layer painting technique |
| B | S’graffito | II | Small dabs of pure colours |
| C | Alla Prima | III | Painting wet paint on wet paint |
| D | Wet on Wet | IV | Sketching into wet paint layer |
| LIST I | LIST II | ||
|---|---|---|---|
| A | Paper | I | Gesso |
| B | Canvas | II | Lime plaster |
| C | Fresco Wall | III | Wax-based hard ground |
| D | Intaglio Plate | IV | Plant fibers |