Step 1: Coleridge's theory of imagination.
Samuel Taylor Coleridge, in his Biographia Literaria (1817), distinguished between three faculties:
- Primary Imagination: the living power of perception, a repetition of the infinite act of creation in the finite mind.
- Secondary Imagination: an echo of the primary imagination, but operating consciously with will, shaping and unifying artistic creation.
- Fancy: a mechanical faculty of association, dealing with fixity, memory, and ornamentation rather than creativity.
Step 2: Eliminate other options.
- (B) Negative capability (Keats), Hellenism (Arnold), impersonality (Eliot).
- (C) Egotistical sublime (Keats on Wordsworth), Oversoul (Emerson), pantheism (general philosophy).
- (D) Unacknowledged legislation (Shelley), atheism/anarchy (political concepts).
Only (A) belongs to Coleridge.
\[
\boxed{\text{Option (A) is correct.}}
\]
| a | Phileas Fogg and Jean Passepartout | i | William Shakespeare |
| b | Don Quixote and Sancho Panza | ii | Jules Verne |
| c | Candide and Pangloss | iii | Miguel de Cervantes |
| d | Dogberry and Verges | iv | Voltaire |