Question:
The four sentences (labelled 1, 2, 3, and 4) given below, when properly sequenced, would yield a coherent paragraph. Decide on the proper sequencing of the order of the sentences and key in the sequence of the four numbers as your answer.
(1) The effigy of a candidate establishes a personal link between him and the voters; the candidate does not only offer a programme for judgement, he suggests a physical climate, a set of daily choices expressed in a morphology, a way of dressing, a posture.
(2) Some candidates for Parliament adorn their electoral prospectus with a portrait; this presupposes that photography has a power to convert which must be analysed.
(3) Inasmuch as photography is an ellipse of language and a condensation of an ‘ineffable’ social whole, it constitutes an anti-intellectual weapon and tends to spirit away ‘politics’ (that is to say a body of problems and solutions) to the advantage of a ‘manner of being’, a socio-moral status.
(4) Photography tends to restore the paternalistic nature of elections, whose elitist essence has been disrupted by proportional representation and the rule of parties (The Right seems to use it more than the Left).
The four sentences (labelled 1, 2, 3, and 4) given below, when properly sequenced, would yield a coherent paragraph. Decide on the proper sequencing of the order of the sentences and key in the sequence of the four numbers as your answer.
(1) The effigy of a candidate establishes a personal link between him and the voters; the candidate does not only offer a programme for judgement, he suggests a physical climate, a set of daily choices expressed in a morphology, a way of dressing, a posture.
(2) Some candidates for Parliament adorn their electoral prospectus with a portrait; this presupposes that photography has a power to convert which must be analysed.
(3) Inasmuch as photography is an ellipse of language and a condensation of an ‘ineffable’ social whole, it constitutes an anti-intellectual weapon and tends to spirit away ‘politics’ (that is to say a body of problems and solutions) to the advantage of a ‘manner of being’, a socio-moral status.
(4) Photography tends to restore the paternalistic nature of elections, whose elitist essence has been disrupted by proportional representation and the rule of parties (The Right seems to use it more than the Left).
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Sequencing sentences logically allows the ideas to flow, connecting related concepts and providing a coherent argument.
Updated On: Jul 6, 2026
- 1432
- 2143
- 1243
- 4312
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The Correct Option is B
Approach Solution - 1
Approach: Find the sentence that introduces the subject in the most general, scene-setting way - that is your opener - then follow the deepening line of argument from concrete practice to abstract consequence. The topic is photography in election campaigns.
Step 1 - Fix the opener: Sentence 2 observes that some candidates put a portrait on their prospectus and says this 'power to convert' must be analysed. It announces the topic and promises analysis, so it must lead.
Step 2 - First layer of analysis: Sentence 1 explains the immediate effect - the effigy creates a personal link, conveying a 'physical climate', dress, posture. This is the first cash-out of the 'power to convert', so \(2 \to 1\).
Step 3 - Widen to the political effect: Sentence 4 lifts the lens to the system level - photography restores the paternalistic, elitist nature of elections disrupted by proportional representation. This broadens from individual link to political structure, giving \(1 \to 4\).
Step 4 - Final abstraction: Sentence 3 reaches the deepest claim - photography is an anti-intellectual weapon that spirits away 'politics' in favour of a 'manner of being'. This conceptual conclusion ends the paragraph, so \(4 \to 3\).
Answer: The sequence is 2143.
Step 1 - Fix the opener: Sentence 2 observes that some candidates put a portrait on their prospectus and says this 'power to convert' must be analysed. It announces the topic and promises analysis, so it must lead.
Step 2 - First layer of analysis: Sentence 1 explains the immediate effect - the effigy creates a personal link, conveying a 'physical climate', dress, posture. This is the first cash-out of the 'power to convert', so \(2 \to 1\).
Step 3 - Widen to the political effect: Sentence 4 lifts the lens to the system level - photography restores the paternalistic, elitist nature of elections disrupted by proportional representation. This broadens from individual link to political structure, giving \(1 \to 4\).
Step 4 - Final abstraction: Sentence 3 reaches the deepest claim - photography is an anti-intellectual weapon that spirits away 'politics' in favour of a 'manner of being'. This conceptual conclusion ends the paragraph, so \(4 \to 3\).
Answer: The sequence is 2143.
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Approach Solution -2
The task is to determine the correct sequence of the sentences to form a coherent paragraph. Let's analyze each sentence for thematic and logical continuity:
- Sentence (2): "Some candidates for Parliament adorn their electoral prospectus with a portrait; this presupposes that photography has a power to convert which must be analysed."
This sentence introduces the idea that candidates use photography in their electoral material and hints at the power of photography in conversion, which needs analysis. It naturally sets the stage for further discussion about photography's role and impact. - Sentence (1): "The effigy of a candidate establishes a personal link between him and the voters; the candidate does not only offer a programme for judgement, he suggests a physical climate, a set of daily choices expressed in a morphology, a way of dressing, a posture."
This sentence builds on the introduction by explaining how the visual portrayal (effigy of a candidate) in photographs creates a personal connection with voters, emphasizing the candidate's physical appearance and demeanor. - Sentence (4): "Photography tends to restore the paternalistic nature of elections, whose elitist essence has been disrupted by proportional representation and the rule of parties (The Right seems to use it more than the Left)."
This sentence expands on how photography influences elections, restoring their paternalistic nature, and draws a contrast between different political sides' usage of photography. - Sentence (3): "Inasmuch as photography is an ellipse of language and a condensation of an ‘ineffable’ social whole, it constitutes an anti-intellectual weapon and tends to spirit away ‘politics’ (that is to say, a body of problems and solutions) to the advantage of a ‘manner of being’, a socio-moral status."
Finally, this sentence concludes the paragraph by discussing the abstract implications of photography, suggesting that it shifts focus from intellectual discourse on politics to personal and socio-moral dimensions.
Upon examining these sentences, the most logical sequence is 2143, where the text flows from the introduction of photography's use in politics to its personal implications, followed by its influence on the nature of elections and concluding with its broader socio-political impact.
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