The following passage consists of 6 sentences. The first and sixth sentences of the passage are at their correct positions, while the middle four sentences (represented by 2, 3, 4, and 5) are jumbled up. Choose the correct sequence of the sentences so that they form a coherent paragraph:
1. Most obviously, mobility is taken to be a geographical as well as a social phenomenon.
2. Much of the social mobility literature regarded society as a uniform surface and failed to register the geographical intersections of region, city and place, with the social categories of class, gender and ethnicity.
3. The existing sociology of migration is incidentally far too limited in its concerns to be very useful here.
4. Further, I am concerned with the flows of people within, but especially beyond, the territory of each society, and how these flows may relate to many different desires, for work, housing, leisure, religion, family relationships, criminal gain, asylum seeking and so on.
5. Moreover, not only people are mobile but so too are many 'objects'.
6. I show that sociology's recent development of a 'sociology of objects' needs to be taken further and that the diverse flows of objects across societal borders and their intersections with the multiple flows of people are hugely significant.
Step 1: Sentence 1 introduces the theme. "Mobility" is both geographical and social. So the next sentence must expand on how traditional social mobility studies treated society — this is sentence 2.
Step 2: Logical follow-up. After criticizing the older literature in (2), the author notes that even migration sociology is limited. This is sentence 3.
Step 3: Expanding concern. Then comes sentence 4, which broadens the scope to flows of people beyond societies (work, asylum, etc.).
Step 4: Transition to objects. Sentence 5 logically introduces the idea that not only people but also objects are mobile, which prepares the ground for sentence 6.
Step 5: Conclusion. Sentence 6 then emphasizes the "sociology of objects" and their intersection with people's flows, completing the passage. \[ \text{Final sequence: } 1 \; \to \; 2 \; \to \; 3 \; \to \; 4 \; \to \; 5 \; \to \; 6 \] Thus, the correct option is (B) 2, 3, 4, 5.
In the given text, the blanks are numbered (i)--(iv). Select the best match for all the blanks.
From the ancient Athenian arena to the modern Olympic stadiums, athletics (i) _____the potential for a spectacle. The crowd (ii) ______ with bated breath as the Olympian artist twists his body, stretching the javelin behind him. Twelve strides in, he begins to cross-step. Six cross-steps (iii) _________ in an abrupt stop on his left foot. As his body (iv) ________ like a door turning on a hinge, the javelin is launched skyward at a precise angle.
Fill in the blanks by choosing the correct sequence for the following passage:
I am wearing for the first time some (i)______ that I have never been able to wear for long at a time, as they are horribly tight. I usually put them on just before giving a lecture. The painful pressure they exert on my feet goads my oratorical capacities to their utmost. This sharp and overwhelming pain makes me sing like a nightingale or like one of those Neapolitan singers who also wear (ii) _______ that are too tight. The visceral physical longing, the overwhelming torture provoked by my (iii)_______, forces me to extract from words distilled and sublime truths, generalized by the supreme inquisition of the pain my (iv) _______suffer.
The following segments of a sentence are given in jumbled order. The first and last segments (1 and 5) are in their correct positions, while the middle three segments (represented by 2, 3, and 4) are jumbled up. Choose the correct order of the segments so that they form a coherent sentence:
1. Consumed multitudes are jostling and shoving inside me
2. and guided only by the memory of a large white bedsheet with a roughly circular hole some seven inches in diameter cut into the center,
3. clutching at the dream of that holey, mutilated square of linen, which is my talisman, my open-sesame,
4. I must commence the business of remaking my life from the point at which it really began,
5. some thirty-two years before anything as obvious, as present, as my clockridden, crime-stained birth.