Once a society accepts a secular mode of creativity, within which the creator replaces God, imaginative transactions assume a self-conscious form. The tribal imagination, on the other hand, is still to a large extent dreamlike and hallucinatory. It admits fusion between various planes of existence and levels of time in a natural and artless manner. In tribal stories, oceans fly in the sky as birds, mountains swim in water as fish, animals speak as humans and stars grow like plants. Spatial order and temporal sequence do not restrict the narrative. This is not to say that tribal creations have no conventions or rules, but simply that they admit the principle of association between emotion and the narrative motif. Thus stars, seas, mountains, trees, men and animals can be angry, sad or happy.
It might be said that tribal artists work more on the basis of their racial and sensory memory than on the basis of a cultivated imagination. In order to understand this distinction, we must understand the difference between imagination and memory. In the animate world, consciousness meets two immediate material realities: space and time. We put meaning into space by perceiving it in terms of images. The image-making faculty is a genetic gift to the human mind—this power of imagination helps us understand the space that envelops us. With regard to time, we make connections with the help of memory; one remembers being the same person today as one was yesterday.
The tribal mind has a more acute sense of time than the sense of space. Somewhere along the history of human civilization, tribal communities seem to have realized that domination over territorial space was not their lot. Thus, they seem to have turned almost obsessively to gaining domination over time. This urge is substantiated in their ritual of conversing with their dead ancestors: year after year, tribals in many parts of India worship terracotta or carved-wood objects representing their ancestors, aspiring to enter a trance in which they can converse with the dead. Over the centuries, an amazingly sharp memory has helped tribals classify material and natural objects into a highly complex system of knowledge. . .
One of the main characteristics of the tribal arts is their distinct manner of constructing space and imagery, which might be described as ‘hallucinary’. In both oral and visual forms of representation, tribal artists seem to interpret verbal or pictorial art as demarcated by an extremely flexible ‘frame’. The boundaries between art and non-art become almost invisible. Atribal epic can begin its narration from a trivial everyday event; tribal paintings merge with living space as if the two were one and the same. And within the narrative itself, or within the painted imagery, there is no deliberate attempt to follow a sequence. The episodes retold and the images created take on the apparently chaotic shapes of dreams. In a way, the syntax of language and the grammar of painting are the same, as if literature were painted words and painting were a song of images.
The question asks why non-human living forms exhibit human emotions in tribal narratives. To answer this, we need to refer to the provided comprehension passage and analyze the given options.
To determine why non-human living forms exhibit human emotions in tribal narratives, we need to examine the characteristics of tribal imagination as discussed in the comprehension.
In conclusion, the narrative structure in tribal storytelling inherently supports the blending of forms and emotions through its flexibility and imaginative nature, thereby accommodating existential fluidity.
To determine the main difference between imagination and memory based on the provided passage, we need to closely analyze the contents and themes discussed in the text.
Considering these points, let's evaluate the options:
Based on the above analysis, Option 1: "Imagination helps humans make sense of space while memory helps them understand time." is the correct answer as it accurately reflects the main distinction between imagination and memory presented in the passage.
The given comprehension passage explores the notion of how humans and tribal groups experience and interpret space and time. Derived from the passage, we aim to identify the main difference between imagination and memory.
To tackle this question, let's dissect the relevant parts of the passage:
From this, we learn:
Now, analyzing the options:
Conclusion: The correct answer is that imagination helps humans make sense of space while memory helps them understand time. This captures the essence of the explanation provided in the passage about both faculties.
To solve this question, we need to determine which statement does not align with the information provided in the passage regarding tribal imagination and narratives.
The correct answer is the statement that does not align with the passage's information: Tribal stories depict the natural world in accordance with rational scientific knowledge.
To address this question, the task is to identify which statement is not a valid inference from the given passage. Let us analyze each option against the content provided in the passage:
Conclusion: The statement that "Tribal stories depict the natural world in accordance with rational scientific knowledge" is not a valid inference drawn from the passage as it conflicts with the description of tribal imagination being dreamlike and unconstrained by scientific realities.
To answer the question about why tribals in India worship their dead ancestors, one must look into the cultural and philosophical context provided in the comprehension passage. The comprehension highlights the characteristics of tribal imagination and their relation to time and space as follows:
Given this detailed analysis, the correct answer is: "For tribals, conversing with the dead becomes a way of seeking control over time."
Let's evaluate why the other options are incorrect:
Understanding these aspects within the context of the passage leads to the most accurate explanation for the tribal practice of ancestor worship.
To solve this question, we need to determine why tribals in India worship their dead ancestors. The options provided offer different perspectives, and we need to choose the one that best aligns with the context given in the comprehension passage.
Based on the passage, the most suitable option is Option B: "For tribals, conversing with the dead becomes a way of seeking control over time." This explanation connects with the text's emphasis on the tribal communities' focus on time over territorial space.
Write any four problems faced by the animals that thrive in forests and oceans: 
Verbal to Non-Verbal:
A stain is an unwanted mark of discolouration on a fabric caused due to contact with another substance which cannot be removed by the normal washing process. Stains can be grouped on the basis of their origin, e.g. tea, coffee and fruits come from vegetable source. Stains from shoe polish, tar, oil paints come under grease stains. Animal stains comprise of stains formed by milk, blood and eggs, whereas marks on your clothes after sitting on an iron bench are those of rust and come under mineral stains. Then there are stains that are formed due to dye, into perspiration which can be categorised under miscellaneous stains. Read the given passage and complete the table. Suggest a suitable title. 
