Question

Match the following pigments (List-I) with their sources, (List-II) in Mughal school
\[\begin{array}{|l|l|} \hline \text{List-I (Pigments)} & \text{List-II (Source)} \\ \hline \text{(A) Ultramarine} & \text{(I) Cinnabar} \\ \hline \text{(B) Bright yellow} & \text{(II) Orpiment} \\ \hline \text{(C) Vermilion} & \text{(III) Lapiz Lazuli} \\ \hline \text{(D) Lampblack} & \text{(IV) Charcoal} \\ \hline \end{array}\]
Choose the correct answer from the options given below:

• (A) - (III), (B) - (II), (C) - (I), (D) - (IV)
• (A) - (I), (B) - (III), (C) - (II), (D) - (IV)
• (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
• (A) - (III), (B) - (IV), (C) - (I), (D) - (II)

Hint:

Some pigment-source connections are fundamental in art history. Remember these key pairs: Ultramarine = Lapis Lazuli (Blue), Vermilion = Cinnabar (Red), and Orpiment = Yellow. Knowing just these three is often enough to solve such matching questions.

Answer 1

The Correct Option is A

Step 1: Understanding the Concept:
The question requires matching traditional painting pigments used in Mughal miniatures with their mineral or organic sources.

Step 3: Detailed Explanation:
(A) Ultramarine: This is a deep blue pigment. Historically, the most prized and vibrant ultramarine was made by grinding the semi-precious stone Lapis Lazuli. So, (A) matches (III).
(B) Bright yellow: A brilliant yellow pigment used in Indian painting was derived from the mineral Orpiment, an arsenic sulfide. So, (B) matches (II).
(C) Vermilion: This is a brilliant scarlet red pigment. Its natural source is the mineral Cinnabar (mercury sulfide). So, (C) matches (I).
(D) Lampblack: This is a deep black pigment. It is a form of carbon soot collected from the burning of oil or fat, which is essentially fine Charcoal. So, (D) matches (IV).

Step 4: Final Answer:
The correct matching sequence is (A) - (III), (B) - (II), (C) - (I), (D) - (IV).