Question:

Match the following:

List - IList - II
A. NaadI. Dayavati
B. ShrutiII. Dhaivat
C. SwaraIII. Anahat
D. RaagIV. Hansdhwani

Show Hint

To quickly break down Indian musicology matching matrices, start with the most specific proper noun: Hansdhwani is clearly a Raga name (D-IV), and Dhaivat is clearly one of the 7 basic Swaras (C-II). This leaves no room for ambiguity.
Updated On: Jun 5, 2026
  • A-I, B-III, C-II, D-IV
  • A-III, B-I, C-II, D-IV
  • A-IV, B-I, C-III, D-II
  • A-II, B-I, C-III, D-IV
Show Solution
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The Correct Option is B

Solution and Explanation

Concept: To solve this matching problem, we must understand the fundamental hierarchy of musical elements in classical Indian music theory, moving from raw sound to structured melody:
Naad (नाद): Musical sound. It is broadly classified into two categories: Aahat Naad (sound produced by the physical striking or friction of objects) and Anahat Naad (unstruck, cosmic sound experienced through meditation).
Shruti (श्रुति): Microtonal intervals or distinct pitches that a trained ear can easily hear and distinguish. Classical theory identifies 22 Shrutis within an octave, each assigned a specific poetic name such as Tivra, Kumudvati, Manda, and Dayavati.
Swara (स्वर): Musical notes chosen from the 22 Shrutis. There are 7 basic Shrutis/notes (Shuddha Swaras): Shadja (Sa), Rishabh (Re), Gandhar (Ga), Madhyam (Ma), Pancham (Pa), Dhaivat (Dha), and Nishad (Ni).
Raag (राग): A melodic framework governed by specific rules of ascending and descending musical notes, aimed at evoking distinct emotional moods. Hansdhwani is a popular pentatonic classical Audav-Audav scale/Raga that uses Sa, Re, Ga, Pa, and Ni.

Step 1:
Systematically link each term in List-I to its distinct representative instance in List-II.

A. Naad matches perfectly with III. Anahat (as Anahat is a type of sound manifestation).
B. Shruti matches perfectly with I. Dayavati (as Dayavati is specifically defined as the 4th Shruti out of the 22 classical microtones).
C. Swara matches perfectly with II. Dhaivat (the formal musicological name for the sixth musical note 'Dha').
D. Raag matches perfectly with IV. Hansdhwani (a widely recognized raga scale configuration). Combining these matches gives: A-III, B-I, C-II, D-IV. This corresponds to option (B).
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