You may laugh at a hat, but what you are making fun of, in this case, is not the piece of felt or straw, but the shape that men have given it, -- the human caprice whose mould it has assumed. It is strange that so important a fact, and such a simple one too, has not attracted to a greater degree the attention of philosophers. Several have de ned man as "an animal which laughs." They might equally well have de ned him as an animal which is laughed at; for if any other animal, or some lifeless object, produces the same effect, it is always because of some resemblance to man, of the stamp he gives it or the use he puts it to.
Here I would point out, as a symptom equally worthy of notice, the ABSENCE OF FEELING which usually accompanies laughter. It seems as though the comic could not produce its disturbing effect unless it fell, so to say, on the surface of a soul that is thoroughly calm and unru ed. Indifference is its natural environment, for laughter has no greater foe than emotion. I do not mean that we could not laugh at a person who inspires us with pity, for instance, or evenwith affection, but in such a case we must, for the moment, put our affection out of court and impose silence upon our pity. In a society composed of pure intelligences there would probably be no more tears, though perhaps there would still be laughter; whereas highly emotional souls, in tune and unison with life, in whom every event would be sentimentally prolonged and re-echoed, would neither know nor understand laughter. Try, for a moment, to become interested in everything that is being said and done; act, in imagination, with those who act, and feel with those who feel; in a word, give your sympathy its widest expansion: as though at the touch of a fairy wand you will see the imsiest of objects assume importance, and a gloomy hue spread over everything. Now step aside, look upon life as a disinterested spectator: many a drama will turn into a comedy. It is enough for us to stop our ears to the sound of music, in a room where dancing is going on, for the dancers at once to appear ridiculous. How many human actions would stand a similar test? Should we not see many of them suddenly pass from grave to gay, on isolating them from the accompanying music of sentiment? To produce the whole of its effect, then, the comic demands something like a momentary anesthesia of the heart. Its appeal is to intelligence, pure and simple
To understand what the author meant by saying "it seems as though the comic could not produce its disturbing effect unless it fell, so to say, on the surface of a soul that is thoroughly calm and unruffled," we need to analyze the idea presented in the provided reading passage.
In conclusion, the key idea is that emotional neutrality allows for a better appreciation of comedy, thus making the correct answer “Unless one is emotionally detached from the event, it is impossible to appreciate a comical view.”
To determine which statement CANNOT be inferred from the passage, we examine each given option against the information provided in the comprehension.
Comic happens in a setting of emotional detachment, having a sense of distance.
Explanation: The passage explicitly states that laughter requires an indifferent environment and is opposed by emotion. This suggests that the comic effect occurs when there is a sense of distance or detachment.
Inference: This statement can be inferred from the passage.
Inanimate objects can become a subject of laughter because they may project human characteristics.
Explanation: The passage talks about how inanimate objects or animals can evoke laughter when they resemble humans or reflect human traits. This correlation lies at the heart of their comedic potential.
Inference: This statement can be inferred from the passage.
Humour only springs from experiences that demand momentary anesthesia.
Explanation: While the passage discusses the concept of "momentary anesthesia of the heart" as a condition for experiencing humor, it does not say that humor only arises from such experiences. It suggests that this anesthesia is typical for comedy but does not classify it as the sole derivation source.
Inference: This statement cannot be fully inferred from the passage as it overgeneralizes the conditions under which humor arises.
When strong emotions are involved, laughter cannot be evoked.
Explanation: The passage mentions that laughter opposes strong emotions, which aligns with this statement. It implies that strong emotions could inhibit laughter.
Inference: This statement can be inferred from the passage.
When you laugh at a hat, you laugh at a human being it represents.
Explanation: The passage explains that laughing at an object like a hat is essentially laughing at the human characteristics or creations it symbolizes.
Inference: This statement can be inferred from the passage.
Conclusion: The statement
Humour only springs from experiences that demand momentary anesthesia.
cannot be directly inferred from the passage, making it the correct answer.
The question requires us to determine which statement the author would most likely agree with based on the provided passage. Let's analyze the passage to identify the author's main idea and how it relates to the given options.
The passage explains that humor often arises from detachment and a lack of emotional involvement. The author suggests that by stepping back and viewing life from a distance or with disinterest, situations that typically appear serious may seem comedic. The passage points out that laughter is often tied to the absence of emotion and is more about intellectual detachment than emotional involvement.
Now, let's examine the options:
Based on these analyses, the statement the author would MOST agree with is:
Life is a tragedy when seen in close up but a comedy in long-shot.
The author emphasizes that detachment turns drama into comedy, and hence, this statement effectively encapsulates the author's viewpoint of how perspective changes our interpretations of life events.
Write any four problems faced by the animals that thrive in forests and oceans: 
Verbal to Non-Verbal:
A stain is an unwanted mark of discolouration on a fabric caused due to contact with another substance which cannot be removed by the normal washing process. Stains can be grouped on the basis of their origin, e.g. tea, coffee and fruits come from vegetable source. Stains from shoe polish, tar, oil paints come under grease stains. Animal stains comprise of stains formed by milk, blood and eggs, whereas marks on your clothes after sitting on an iron bench are those of rust and come under mineral stains. Then there are stains that are formed due to dye, into perspiration which can be categorised under miscellaneous stains. Read the given passage and complete the table. Suggest a suitable title. 
