Question:
Why does the author refer to Thomas Hardy's poem?
Why does the author refer to Thomas Hardy's poem?
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Recall how the author links the poem to DNA passing between generations right after quoting it.
Updated On: Jul 21, 2026
- To estimate the role played by direct properties attributable to one's parentage
- To underline the significance of the biological process whereby genetic factors are transmitted from one generation to the next
- To emphasize the importance of the total of inherited attributes that rarely come by natural descent
- To highlight the purpose of genetic endowment which can traced through the family face
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The Correct Option is B
Solution and Explanation
The author opens the passage with Hardy's poem about the family face living on through generations, then immediately links it to DNA in our genome.
- To estimate the role played by direct properties attributable to one's parentage: This narrows the idea to parentage alone, while the poem is used to introduce the wider biological process of DNA transmission.
- To underline the significance of the biological process whereby genetic factors are transmitted from one generation to the next: This matches the author's own explanation that the poem reflects the DNA in our genome and the passing of traits across generations.
- To emphasize the importance of the total of inherited attributes that rarely come by natural descent: This is self-contradictory, since inherited attributes by definition come through natural descent, not rarely.
- To highlight the purpose of genetic endowment which can traced through the family face: This focuses too narrowly on the phrase family face rather than the broader genetic transmission process the author describes.
The correct option is the second one, since the author explicitly uses the poem to introduce how genetic material passes down generations.
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Intended as an instructive note to actors, the Pinter pause was a space for emphasis and breathing room. But it could also be as threatening as a raised fist. Pinter said that writing the word 'pause' into his first play was 'a fatal error'. It is certainly the aspect of his writing that has been most parodied. But no other playwright has consistently used pauses with such rhythmic assurance and to such fine-tuned manipulative effect. Early in his career, Pinter said his work was about 'the weasel under the cocktail cabinet'. Though he later regretted the image, it holds up as a metaphor for the undertow of danger that pervades his work.
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