Question:
The BLANK nature of classical tragedy in Athens belies the modern image of tragedy: in the modern view tragedy is austere and stripped down, its representations of ideological and emotional conflicts so superbly compressed that there's nothing BLANK for time to erode.
BLANK 1 Options: (A) unadorned, (B) harmonious, (C) multifaceted
BLANK 2 Options: (D) inalienable, (E) exigent, (F) extraneous
The BLANK nature of classical tragedy in Athens belies the modern image of tragedy: in the modern view tragedy is austere and stripped down, its representations of ideological and emotional conflicts so superbly compressed that there's nothing BLANK for time to erode.
BLANK 1 Options: (A) unadorned, (B) harmonious, (C) multifaceted
BLANK 2 Options: (D) inalienable, (E) exigent, (F) extraneous
BLANK 1 Options: (A) unadorned, (B) harmonious, (C) multifaceted
BLANK 2 Options: (D) inalienable, (E) exigent, (F) extraneous
Show Hint
Break down complex sentences. The colon (:) often separates a main idea from its definition or explanation. Here, the phrase after the colon defines the "modern image." Understanding this definition is the key to solving both blanks.
Updated On: Oct 1, 2025
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Solution and Explanation
Correct Answer: (C) multifaceted, (F) extraneous
Step 1: Understanding the Concept:
This text completion question is built on a contrast, indicated by the word "belies." The nature of classical tragedy is the opposite of the "modern image." We must first understand the modern image to determine the nature of the classical one.
Step 2: Detailed Explanation:
Blank 1: The modern image of tragedy is described as "austere and stripped down." "Belies" means contradicts. Therefore, classical tragedy must have been the opposite of austere and stripped down. It must have been complex, rich, and دارای وجوه متعدد. (C) multifaceted, meaning having many faces or aspects, is the perfect word to describe this complexity and contrast with the "stripped down" modern view.
Blank 2: This blank describes what is missing from the modern, "superbly compressed" version of tragedy. If something is compressed and stripped down, it contains only the essential elements. There is nothing non-essential or superfluous. The word (F) extraneous, meaning irrelevant or unrelated to the subject being dealt with, fits perfectly. In a compressed work, there is nothing extraneous to be worn away.
Putting them together: The multifaceted nature of classical tragedy contradicts the modern "stripped down" view, in which there is nothing extraneous left to be removed. This creates a logical and consistent argument.
Step 3: Final Answer:
The correct pairing is (C) multifaceted and (F) extraneous.
Step 1: Understanding the Concept:
This text completion question is built on a contrast, indicated by the word "belies." The nature of classical tragedy is the opposite of the "modern image." We must first understand the modern image to determine the nature of the classical one.
Step 2: Detailed Explanation:
Blank 1: The modern image of tragedy is described as "austere and stripped down." "Belies" means contradicts. Therefore, classical tragedy must have been the opposite of austere and stripped down. It must have been complex, rich, and دارای وجوه متعدد. (C) multifaceted, meaning having many faces or aspects, is the perfect word to describe this complexity and contrast with the "stripped down" modern view.
Blank 2: This blank describes what is missing from the modern, "superbly compressed" version of tragedy. If something is compressed and stripped down, it contains only the essential elements. There is nothing non-essential or superfluous. The word (F) extraneous, meaning irrelevant or unrelated to the subject being dealt with, fits perfectly. In a compressed work, there is nothing extraneous to be worn away.
Putting them together: The multifaceted nature of classical tragedy contradicts the modern "stripped down" view, in which there is nothing extraneous left to be removed. This creates a logical and consistent argument.
Step 3: Final Answer:
The correct pairing is (C) multifaceted and (F) extraneous.
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