Question:
Directions: Choose the correct meaning for each of the foreign language words and phrases given below.
inter vivos
Directions: Choose the correct meaning for each of the foreign language words and phrases given below.
inter vivos
inter vivos
Updated On: Jul 15, 2026
- a transaction made for obtaining a legacy
- an agreement to promote the welfare of one‘s country
- a transaction made between living people
- an agreement between warring nations
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The Correct Option is C
Approach Solution - 1
The correct option is (C): a transaction made between living people.
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Approach Solution -2
"Inter vivos" is a Latin legal phrase, and breaking it into its two Latin roots is the most reliable way to find its meaning. Let's check what each option would require the phrase to mean, then match it against the roots.
- Option A, "a transaction made for obtaining a legacy": A legacy is something passed on after a person's death, through a will. That idea is closer to the Latin phrase "mortis causa," meaning "in view of death," not "inter vivos," so this option does not fit.
- Option B, "an agreement to promote the welfare of one's country": Nothing in "inter vivos" relates to a country or its welfare. This meaning does not connect to either Latin root in the phrase.
- Option C, "a transaction made between living people": "Inter" means "between," the same root seen in English words like "international" and "interact." "Vivos" comes from "vivus," meaning "living" or "alive," the same root seen in "vivid," "survive," and "revive." Put together, "inter vivos" literally means "between the living," which matches a transaction, such as a gift or transfer, made while both parties are alive.
- Option D, "an agreement between warring nations": An agreement between warring nations is closer to "armistice" or "treaty," and "vivos" has nothing to do with war or nations.
Only option C lines up with what the two Latin roots, "inter" and "vivos," actually mean when read together.
So, the correct answer is a transaction made between living people.
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Approach Solution -3
A practical way to settle this is to picture where "inter vivos" actually shows up in a real document, a property lawyer's gift deed or trust deed, and see which option matches the way that document is used. Let's check each option against that real-world use.
- Option A, "a transaction made for obtaining a legacy": A legacy is received through a will, after the person who made the will has died. A document labelled "inter vivos" is signed and acted on while the person is still alive, so it cannot describe getting a legacy.
- Option B, "an agreement to promote the welfare of one's country": This describes a public policy or treaty, not a private document between two individuals transferring property. It has nothing to do with the kind of paperwork "inter vivos" is stamped on.
- Option C, "a transaction made between living people": A gift deed or an inter vivos trust is drawn up specifically so that property passes from one living person to another right away, without waiting for anyone's death. This matches exactly how such documents are actually titled and used.
- Option D, "an agreement between warring nations": This describes a ceasefire or peace treaty between countries, a completely different category of document from a personal property transfer between two people.
Only option C fits the kind of paperwork that carries the label "inter vivos," a transfer completed while both people involved are alive.
So, the correct answer is a transaction made between living people.
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- In the realm of contemporary literature, the interplay between character and setting is a nuanced dance that shapes the narrative’s essence. The setting, often described with painstaking detail, becomes more than a backdrop; it becomes a character, influencing the plot and character development.
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[Extracted, with edits, from “Justice and the Two Ideas of India”, by G. Mohan Gopal, Frontline] - Everything she wanted was here, at Carignano, in Kasauli. Here, on the ridge of the mountain, in this quiet house. It was the place, and the time of life, that she had wanted and prepared for all her life-as she realized on the first day at Carignano, with a great, cool flowering of relief - and at last she had it. She wanted no one and nothing else. Whatever else came, or happened here, would be an unwelcome intrusion and distraction. This she tried to convey to the plodding postman with a cold and piercing stare from the height of the ridge onto his honest bull back. Unfortunately, he did not look up at her on the hilltop but stared stolidly down at the dust piling onto his shoes as he plodded on. A bullock-man, an oafish ox, she thought bitterly. She stepped backwards into the garden and the wind suddenly billowed up and threw the pine branches about as though to curtain her. She was grey, tall and thin and her silk sari made a sweeping, shivering sound and she fancied she could merge with the pine trees and be mistaken for one. To be a tree, no more and no less, was all she was prepared to undertake.
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Yes, there were some apricot trees close to the house. There were clumps of iris that had finished blooming. There was the kitchen with a wing of smoke lifting out of its chimney and a stack of wood outside its door. But these were incidental, almost unimportant.
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Consider, for instance, the barren expanse of the desert in Jhumpa Lahiri’s The Namesake. The arid landscape mirrors the sense of isolation felt by the protagonist, Gogol, as he navigates his identity crisis in a foreign land. The relentless sun and vast sands are not mere descriptions; they are the silent witnesses to his inner turmoil.
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What pleased and satisfied her so, here at Carignano, was its barrenness. This was the chief virtue of all Kasauli of course-its starkness. It had rocks, it had pines, it had light and air. In every direction there was a sweeping view - to the north, of the mountains, to the south, of the plains. Occasionally an eagle swam through this clear unobstructed mass of light and air, that was all. And Carignano, her home on the ridge, had no more than that. Why should it? The sun shone on its white walls. Its windows were open the ones facing north opened on to the blue waves of the Himalayas flowing out and up to the line of ice and snow sketched upon the sky, while those that faced south looked down the plunging cliff to the plain stretching out, flat and sere to the blurred horizon.
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The 19th century ushered in a new era of literary giants. Jane Austen’s novels, such as Pride and Prejudice and Sense and Sensibility, provide incisive social commentary through the lens of wit and romance. Austen’s heroines, like Elizabeth Bennet and Elinor Dashwood, remain beloved literary figures known for their intelligence and resilience. The Romantic era brought forth poets like William Wordsworth and Samuel Taylor Coleridge, who celebrated * 8 UG the beauty of nature and the emotional intensity of the individual. Wordsworth’s ‘‘I Wandered Lonely as a Cloud’’ and Coleridge’s ‘‘The Rime of the Ancient Mariner’’ are testament to the power of the written words to evoke profound emotions and imagery. Moving towards 20th century, English literature continued to evolve. Virginia Woolf’s ground-breaking novel Mrs. Dalloway explored the inner thoughts and lives of its characters with a modernist narrative style. Dystopian visions, as seen in George Orwell’s Nineteen Eighty-Four provided stark warnings about the dangers of totalitarianism and the erosion of individual freedom.
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