Question:
Briefly explain the form of kriti with suitable examples
Briefly explain the form of kriti with suitable examples
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Name the three main sections, then add sangati and two examples.
Updated On: Nov 3, 2026
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Solution and Explanation
Step 1: What a kriti is:
A kriti is the most important and most common form of Carnatic concert music. It has a raga, a tala and sahitya (words) and it is set in a fixed structure.
Step 2: Structure:
1. Pallavi: the opening section.
2. Anupallavi: the second section, usually in a higher range.
3. Charanam: the last section, which often joins back to the pallavi. Some kritis have more than one charanam.
Many kritis add sangatis. These are step by step variations of a line. Some also add chittaswaram or madhyamakala sahitya.
Step 3: Examples:
Vatapi Ganapatim (Dikshitar, Hamsadhwani) has pallavi, anupallavi and charanam. Endaro Mahanubhavulu (Tyagaraja, Sri raga) has pallavi, anupallavi and charanams with sangatis.
Final Answer:
A kriti has pallavi, anupallavi and charanam, often with sangatis. \[ \boxed{\text{Pallavi, Anupallavi, Charanam}} \]
A kriti is the most important and most common form of Carnatic concert music. It has a raga, a tala and sahitya (words) and it is set in a fixed structure.
Step 2: Structure:
1. Pallavi: the opening section.
2. Anupallavi: the second section, usually in a higher range.
3. Charanam: the last section, which often joins back to the pallavi. Some kritis have more than one charanam.
Many kritis add sangatis. These are step by step variations of a line. Some also add chittaswaram or madhyamakala sahitya.
Step 3: Examples:
Vatapi Ganapatim (Dikshitar, Hamsadhwani) has pallavi, anupallavi and charanam. Endaro Mahanubhavulu (Tyagaraja, Sri raga) has pallavi, anupallavi and charanams with sangatis.
Final Answer:
A kriti has pallavi, anupallavi and charanam, often with sangatis. \[ \boxed{\text{Pallavi, Anupallavi, Charanam}} \]
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