Question:
According to the passage, which of the following statements is not true?
According to the passage, which of the following statements is not true?
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Compare each statement carefully against the passage's exact wording about Dolly the sheep.
Updated On: Jul 21, 2026
- Thomas Hardy's poem, Heredity, reflects the DNA in a human being's genome
- Creating life in a lab will surely raise pertinent questions pertaining to ethics
- Scientists, in future, will be able to create life under artificial conditions
- Cloning of Dolly, the sheep, has invited the wrath of people because the sheep soon died a miserable death
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The Correct Option is D
Solution and Explanation
This is a not true question, so we must find the one statement that contradicts the passage rather than confirms it.
- Thomas Hardy's poem, Heredity, reflects the DNA in a human being's genome: The author states this directly, so it is true and gets eliminated.
- Creating life in a lab will surely raise pertinent questions pertaining to ethics: The passage says this surely raises ethical questions, so it is true.
- Scientists, in future, will be able to create life under artificial conditions: The author predicts this outcome within a few years, so it is true.
- Cloning of Dolly, the sheep, has invited the wrath of people because the sheep soon died a miserable death: The passage states the opposite, that cloning Dolly has not raised any outrage, and it never mentions the sheep dying a miserable death.
The correct option is the fourth one, since the passage directly contradicts the claim about Dolly causing outrage.
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The DNA sequence of the synthetic one was confirmed to be identical to the natural one. While the DNA pieces were synthesized chemically, the stitching together was done using the biochemical machinery of a host cell. About 100 pieces of the genome, each 5000-7000 units long in DNA sequence, were first joined to produce 25 sub-assemblies, each about 24000 base pairs long. These were then introduced into the bacterium E. coli to produce sufficient DNA for the next steps. Next, they repeated the procedure to generate large fragments comprising l/4th of the whole genome of M.genitalium.
Now, they used the clever trick of exploiting the process called homologous recombination. This is a basic essential process in every cell, which physically rearranges the two strands of DN The JCVI researchers inserted the synthesized DNA fragments into yeast and utilized its homologous recombination ability to generate the whole 580,000 long genome of M.genitalium in one step.
This is clearly a landmark work that leads into the brave new world of synthesizing life itself in the laboratory. It was hardly 200 years ago when Friedrich Wohler synthesized urea, an organic molecule, in the chemical laboratory, thus throwing out the notion of ‘vital forces’ involved in the components of living organisms. What is the next step, making life itself in the lab, bypassing nature? With single cell organisms like M.genitalium, it might not be far away. It is now possible in the lab to do so, by inserting the genome into a ‘host’ cell and asking the latter to make the bacterium of your choice. If only we find a way to insert the bacterial genome into this proto-cell, and somehow trigger it to make the bacterium itself! We would have chemically created life in the la This is not a pipedream; JCVI scientists are already on the job, and my bet is they will do it within a few years.
This surely raises ethical questions, a matter that JCVI is keenly aware of and is already engaged in with ethicists. Even their present work on M.genitalium was done with prior approval of ethical experts. But then, today it is M.genitalium, tomorrow it could be a more advanced, multi-cellular organism, and that could flummox even the ethicist. Assisted reproduction, which is the other side of the coin and truly a recently initiated technology, has become ethically and morally acceptable. Cloning of Dolly, the sheep, has not raised any outrage, but cloning a human certainly does. - The technological trajectory traversed in communications and transport from pigeon mail and pony expressto e-mail and videoconferencing is almost as great as the intellectual space between Noah's Ark and the biotechnological revolution in the preservation and improvement of the species. Dreams are multi-hued today and soar beyond the hitherto accepted bounds of human endeavor.
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In Pinter's work 'words are weapons that the characters use to discomfort or destroy each other' said Peter Hall, who has staged more of Pinter's plays than any other director. But while Pinter's linguistic agility turned simple, sometimes obscene, words into dark, glittering and often mordantly funny poetry, it is what comes between the words that he is most famous for. And the stage direction 'pause' would haunt him throughout his career.
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Pinter was born in Hackney on October 10, 1930. With the outbreak of World War II, Harold was evacuated from London to a provincial town in Cornwall. His feelings of loneliness and isolation from that time were to surface later in his plays. Few writers have been so consistent over so many years in the tone and exe- cution of their work. Just before rehearsals began for the West End production of The Birthday Party half a century ago, Pinter sent a letter to his director, Peter Wood. In it he said, "The play is a comedy because the whole state of affairs is absurd and inglorious. It is, however, as you know, a very serious piece of work.'
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This is because the changes it envisages in the political and economic status of women strike at the root of power structures in society and the basis of man woman relationships. There is also the danger that reservation for women in public life, while necessary for their greater visibility, could lapse into tokenism or become a tool in the hands of vote seeking politicians. Much will depend on the dissemination of the policy and the ability of elected representatives and government agencies to reorder their priorities. - Generally, people experience stress in their day-to-day lives, but more than thirty million Americans suffer from something more intense than that. Anxiety disorders are the second-most-common mental health problem in the country, and they can be paralyzing. Sometimes, day-to-day stress and anxiety are hard to tell apart, but the easiest way to distinguish them is that stress is brought on by actual events, and then dissipates, whereas anxiety is a more pervasive worry, that often attaches itself to specific areas of your life, like your relationship, job or health, says psychologist Terry Mooney.
This anxiety does not dissipate, and in fact, it can increase to the level where it begins to change your behavior. That’s when it’s characterized as an anxiety disorder. Anxiety can keep you safe, helping you recognize danger, and cope with it, says Mooney. But if you begin to see danger lurking around every corner, or worry over and over again about the same events, then you might be dealing with something more substantial, like an anxiety disorder.
People with anxiety disorders often begin to avoid activities or circumstances that make them anxious, said John Forsyth, associate professor of Psychology at the State University of New York at Albany and director of the Anxiety Disorders Research Programme at the university. People may stop driving, or stop going to parties. They may stop travelling or even avoid leaving the house. It’s this curtailing of activities that causes the suffering, Forsyth said, making you feel that ‘life is shrinking around you.’
Anxiety disorders come in a variety of forms and manifest themselves in different ways. Generalized anxiety disorder is characterized by ongoing worry about everyday tasks, even when there is no clear reason to worry. People with social anxiety disorder experience intense worry over social interactions, and often feel judged by people or worry that they will embarrass themselves. Post-traumatic stress disorder, which is characterized by people re-living a frightening event over and over again, is also considered an anxiety disorder. Obsessive-compulsive disorder is when people take on obsessive rituals that help them maintain the illusion of control. Often repetitive in nature, obsessive compulsive rituals can include cleaning, checking and rechecking something, counting or endlessly reviewing conversations in their mind. Treatment is available for anxiety disorders. People can use a variety of approaches, including therapy, medication and exercise. - I am the family face; flesh perishes. I live on, projecting trait and trace through time to times anon, and leaping from place to place over oblivion.
So wrote Thomas Hardy in his poem, Heredity, describing direct descent of life from one generation to the next. Indeed, the poem reflects the DNA in our genome. Dr.Drew Endy of MIT quoted this when he described how people at the J. Craig Venter Institute (JCVI) bypass nature’s constraint of direct descent. Scientists there have used chemistry and biochemistry to produce the first synthetic genome in the laboratory. They chemically synthesized many fragments of the DNA, encoding the 582,970-units-long genome of a bacterium called Mycoplasma genitalium. Next, they assembled these fragments in perfect order to generate the genome of the bacterium.
The DNA sequence of the synthetic one was confirmed to be identical to the natural one. While the DNA pieces were synthesized chemically, the stitching together was done using the biochemical machinery of a host cell. About 100 pieces of the genome, each 5000-7000 units long in DNA sequence, were first joined to produce 25 sub-assemblies, each about 24000 base pairs long. These were then introduced into the bacterium E. coli to produce sufficient DNA for the next steps. Next, they repeated the procedure to generate large fragments comprising l/4th of the whole genome of M.genitalium.
Now, they used the clever trick of exploiting the process called homologous recombination. This is a basic essential process in every cell, which physically rearranges the two strands of DN The JCVI researchers inserted the synthesized DNA fragments into yeast and utilized its homologous recombination ability to generate the whole 580,000 long genome of M.genitalium in one step.
This is clearly a landmark work that leads into the brave new world of synthesizing life itself in the laboratory. It was hardly 200 years ago when Friedrich Wohler synthesized urea, an organic molecule, in the chemical laboratory, thus throwing out the notion of ‘vital forces’ involved in the components of living organisms. What is the next step, making life itself in the lab, bypassing nature? With single cell organisms like M.genitalium, it might not be far away. It is now possible in the lab to do so, by inserting the genome into a ‘host’ cell and asking the latter to make the bacterium of your choice. If only we find a way to insert the bacterial genome into this proto-cell, and somehow trigger it to make the bacterium itself! We would have chemically created life in the la This is not a pipedream; JCVI scientists are already on the job, and my bet is they will do it within a few years.
This surely raises ethical questions, a matter that JCVI is keenly aware of and is already engaged in with ethicists. Even their present work on M.genitalium was done with prior approval of ethical experts. But then, today it is M.genitalium, tomorrow it could be a more advanced, multi-cellular organism, and that could flummox even the ethicist. Assisted reproduction, which is the other side of the coin and truly a recently initiated technology, has become ethically and morally acceptable. Cloning of Dolly, the sheep, has not raised any outrage, but cloning a human certainly does. - The technological trajectory traversed in communications and transport from pigeon mail and pony expressto e-mail and videoconferencing is almost as great as the intellectual space between Noah's Ark and the biotechnological revolution in the preservation and improvement of the species. Dreams are multi-hued today and soar beyond the hitherto accepted bounds of human endeavor.
The first bimolecular motors with tiny metal propellers to reach inside our cells and probe their secrets have been built and pilot-tested and scalpels fitted with probes that can instantly reveal whether cells are cancerous may soon help surgeons operating on tumours to detect cancer at the earliest stages, perhaps even replacing biopsies. That Einstein ousted Gandhi as Time's Man of the Century clearly reflects the Zeitgeist. As Stephen Hawking writes, The world has changed far more in the last 100 years than in any other century in history. The reason is not political or economic, but technological - technologies that flowed directly from advances in basic science.
The reflection of the Zeitgeist, even as it stands witness to the enormity of man's reach, is also a warning: that when man's reach exceeds his grasp, it is time to pause and ponder over priorities. From time to time, a natural disaster might push us back to oil lamps and cooking by wood fire but a baby born a whole hundred hours after the mother was trapped under heavy rubble will also establish the sovereignty of other forces. Baby buying on the Internet illustrates the lowest human motivations at work, but harnessing its reach to attract global aid for earthquake victims reflects higher human impulsions. - Harold Pinter, the British playwright, whose gifts for finding the ominous in the everyday and the noise within silence made him the most influential and imitated dramatist of his generation. In more than 30 plays written between 1957 and 2000 and including masterworks like The Birthday Party, The Caretaker, The Homecoming and Betrayal, Pinter captured the anxiety and ambiguity of life in the second half of the 20th century with terse, hypnotic dialogue filled with gaping pauses and the prospect of imminent violence. Pinter became one of the few modern playwrights whose names instantly evoke a sensibility. The adjective 'Pinteresque' has become part of the cultural vocabulary as a byword for strong and unspecified menace.
An actor, essayist, screenwriter, poet, director and dramatist, Pinter was also publicly outspoken in his views on repression and censorship, at home and abroad. He used his Nobel acceptance speech to denounce Amer- ican foreign policy, saying that the United States had not only lied to justify waging war against Iraq, but that it had also 'supported and in many cases engendered every right-wing military dictatorship' in the last 50 years. His political views were implicit in much of his work. Though his plays deal with the slipperiness of memory and human character, they are also almost always about the struggle for power.
In Pinter's work 'words are weapons that the characters use to discomfort or destroy each other' said Peter Hall, who has staged more of Pinter's plays than any other director. But while Pinter's linguistic agility turned simple, sometimes obscene, words into dark, glittering and often mordantly funny poetry, it is what comes between the words that he is most famous for. And the stage direction 'pause' would haunt him throughout his career.
Intended as an instructive note to actors, the Pinter pause was a space for emphasis and breathing room. But it could also be as threatening as a raised fist. Pinter said that writing the word 'pause' into his first play was 'a fatal error'. It is certainly the aspect of his writing that has been most parodied. But no other playwright has consistently used pauses with such rhythmic assurance and to such fine-tuned manipulative effect. Early in his career, Pinter said his work was about 'the weasel under the cocktail cabinet'. Though he later regretted the image, it holds up as a metaphor for the undertow of danger that pervades his work.
Pinter was born in Hackney on October 10, 1930. With the outbreak of World War II, Harold was evacuated from London to a provincial town in Cornwall. His feelings of loneliness and isolation from that time were to surface later in his plays. Few writers have been so consistent over so many years in the tone and exe- cution of their work. Just before rehearsals began for the West End production of The Birthday Party half a century ago, Pinter sent a letter to his director, Peter Wood. In it he said, "The play is a comedy because the whole state of affairs is absurd and inglorious. It is, however, as you know, a very serious piece of work.'
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